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Original Title:	The Killing Moon
ISBN:	0316187283 (ISBN13: 9780316187282)
Edition Language:	English
Series:	Dreamblood #1
Characters:	Ehiru, Nijiri, Sunandi
Literary Awards:	Nebula Award Nominee for Best Novel (2012), Locus Award Nominee for Best Fantasy Novel (2013), World Fantasy Award Nominee for Best Novel (2013), Goodreads Choice Award Nominee for Fantasy (2012)

The Killing Moon (Dreamblood #1)

N.K. Jemisin

Paperback | Pages: 440 pages

Rating: 3.91 | 12331 Users | 1480 Reviews

Mention Of Books The Killing Moon (Dreamblood #1)

Title	:	The Killing Moon (Dreamblood #1)
Author	:	N.K. Jemisin
Book Format	:	Paperback
Book Edition	:	First Edition
Pages	:	Pages: 440 pages
Published	:	May 1st 2012 by Little, Brown
Categories	:	Fantasy. Fiction. Epic Fantasy. High Fantasy. Science Fiction Fantasy

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The city burned beneath the Dreaming Moon.

In the ancient city-state of Gujaareh, peace is the only law. Upon its rooftops and amongst the shadows of its cobbled streets wait the Gatherers - the keepers of this peace. Priests of the dream-goddess, their duty is to harvest the magic of the sleeping mind and use it to heal, soothe . . . and kill those judged corrupt.

But when a conspiracy blooms within Gujaareh's great temple, Ehiru - the most famous of the city's Gatherers - must question everything he knows. Someone, or something, is murdering dreamers in the goddess' name, stalking its prey both in Gujaareh's alleys and the realm of dreams. Ehiru must now protect the woman he was sent to kill - or watch the city be devoured by war and forbidden magic.

Rating Of Books The Killing Moon (Dreamblood #1)

Ratings: 3.91 From 12331 Users | 1480 Reviews

Crit Of Books The Killing Moon (Dreamblood #1)

The shadows of Ina-Karekh are the place where nightmares dwell, but not their source. Never forget: the shadowlands are not elsewhere. We create them. They are within.A well-written, well-structured story in a fascinating setting, just hampered by both the storyline and the characters being severely underdeveloped and dull.Still, Jemisin writes good stuff, all right.

☠ DNF at: 42% . Perseverance is me.Warning: the gif is incredibly strong in this one. You are quite welcome.Believe it or not, I was forced to DNF this book for medical reasons. Doctor's orders and stuff. I kid you not. Now why would Dr Prawn advise me to relegate this most fascinating book to the DNF Graveyard, you ask? Because too much adrenaline. Yes, that's right. This story is so bloody shrimping thrilling and such an exhilarating roller coaster ride that I heart palpitations while reading



This was the first book in a two part series, but strangely enough, the way it ended, with everything tied up neatly, it felt like a standalone. I read it after The Broken Earth Trilogy, even though this series came before that one. And I could not help comparing the two, with The Broken Earth books coming out the winners. I had thought those books grim, but this book was even more so since it lacked the abundant humor in that other series, which took the edge off the hopelessness of that world.

Sometimes, if you are very lucky, books come along when you need them to. I was very lucky that The Killing Moon arrived when it did and I chose to read it when I did. The Killing Moon is Jemisins second trilogy after her widely successful Inheritance Trilogy and as I had read and enjoyed her debut work, I figured I would try the Dreamblood series. Jemisins world building is so detailed and exquisite and hey, she is blurbed by Kate Elliott. I am not one to usually read a book by the success of

DNF @ 16% This was my third try with this book and I finally faced the truth - it just ain't gonna happen.

Jemisin writes a multiculturally appealing, rich world.Being introduced to their work through the outstanding Fifth Season, what most intrigues me about all of these 'other Jemisin', is to observe the their writing without the inventive linguistic devices and the distinct structural suspense, which were perfected to be such a striking feature in the aforementioned.Also present here was the one thing, that seems constant throughout Jemisin's work - and which I find most agreeable: their wont to