Be Specific About Out Of Books Apie fotografiją
| Title | : | Apie fotografiją |
| Author | : | Susan Sontag |
| Book Format | : | Paperback |
| Book Edition | : | Special Edition |
| Pages | : | Pages: 200 pages |
| Published | : | 2000 by Baltos lankos (first published 1973) |
| Categories | : | Art. Photography. Nonfiction. Writing. Essays. Philosophy |
Susan Sontag
Paperback | Pages: 200 pages Rating: 3.83 | 36313 Users | 728 Reviews
Relation Toward Books Apie fotografiją
Ši knyga - ne fotografijos istorija, o bandymas apmąstyti problemas, kurias kelia fotografinių atvaizdų įsigalėjimas dabarties pasaulyje. Šešiose koncentruotuose esė, kurios skaitomos beveik kaip grožinė literatūra, Susan Sontag daro vieną pjūvį po kito, nagrinėdama fotografijos atsiradimą ir raidą, raizgius santykius su daile, raštija, politika ir morale. Fotografija rašytojai yra modernybės simbolis ir drauge jos simptomas, atskleidžiantis tikrąją, dramatišką šiuolaikinių visuomenių būklę.
Declare Books Supposing Apie fotografiją
| Original Title: | On Photography |
| ISBN: | 9955000406 |
| Edition Language: | Lithuanian |
| Literary Awards: | National Book Critics Circle Award for Criticism (1977) |
Rating Out Of Books Apie fotografiją
Ratings: 3.83 From 36313 Users | 728 ReviewsPiece Out Of Books Apie fotografiją
This is the worst book I've read about photography. It isn't even about photography, it is about Susan Sontag consistently misunderstanding photographs. It isn't intellectual, either. It is her emotional responses to the shallowest possible reading of photographs. The defining moment is in the appendix of quotations, the only good part of the book. The first quote is from the notebooks of William Henry Fox Talbot, one of the earliest photographers. He wrote, "Make picture of kaleidoscope." ThisThis is a classic book of essays about how photography reveals so much about society, politics, history, and our attitudes towards preserving the image and the potential "truth" inherent in a photograph. I don't read much nonfiction, and this was originally for a class, but there isn't a single person I wouldn't recommend this to.
The first 2-3 essays of the book are just astonishing. I've been perusing Sontag's journals for the past year or so, and her intellectual range leads you perilously near to pure jealousy, but then you concede her anomalous mind and simply admire it instead. This seemingly limitless curiosity and brute capacity for knowledge is best exhibited in those first 2-3 essays (particularly the first two, which is why I keep saying "2-3"), and also remains less cloyingly didactic there. For example, her
Written in cool and caustic prose, On Photography consists of seven meditations on the medium's ethics, social uses, and history. Sontag drops epigram after epigram, aphorism after aphorism, in these contentious essays, as she speeds through considering the subjects of photography's most famous practitioners, be it the rural towns of Roy Stryker or the "freaks" of Diane Arbus. Despite the essays' fast pace, the work as a whole lacks anything approaching a coherent direction or central thesis. It
I first read the article from which this book was born when I was doing my MFA (2000), picked up the book at a used book store several months ago and have been reading chapters in the midst of other reads, projects, etc. Sontag's ideas are so culturally important and have been so assimilated into what we "already know" that it may be difficult at first glance to see how remarkable her contributions were back in the day (1977?) when she first began to articulate them... or how relevant they
I've never read anything by Susan Sontag, but encountered mentions of her book On Photography numerous times in various contexts. It's hailed as "one of the most highly regarded books of its kind". I like taking photographs myself, and thought I would find it interesting.Those seeking a well-constructed history of photography, its development and an introduction to various schools and movements of photography - as I did - are likely to be disappointed. On Photography has no central thesis, and
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