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The Throat (Blue Rose Trilogy #3)

Peter Straub

Mass Market Paperback | Pages: 704 pages

Rating: 3.94 | 3491 Users | 111 Reviews

Present About Books The Throat (Blue Rose Trilogy #3)

Title	:	The Throat (Blue Rose Trilogy #3)
Author	:	Peter Straub
Book Format	:	Mass Market Paperback
Book Edition	:	Anniversary Edition
Pages	:	Pages: 704 pages
Published	:	March 1st 1994 by Signet (first published January 1st 1993)
Categories	:	Horror. Fiction. Mystery. Thriller

Representaion Supposing Books The Throat (Blue Rose Trilogy #3)

The Throat is an often brilliant thriller that is concerned with big questions about identity, the past and our memory of it, the demons that shape us and the demons we carry with us. It is intricately structured, densely layered, full of eerie and haunting dreams and flashbacks, and is impressively thoughtful in its take on murder and vengeance. As a third book in a trilogy, it also must extend and wrap up storylines started in the preceding novels Koko and Mystery – and for the most part it delivers. But sadly, the novel is a deeply flawed one. There are many minor irritations that I could look past, but I can’t ignore the flaw at its heart: its terrible mismanagement of a certain key character. The person at the heart of the novel seems to be the character that Straub lost all interest in fairly early on – which leaves the novel with a hollow core rather than one that should have been full of mystery and meaning.

Synopsis: Tim Underhill from Koko and Tom Pasmore from Mystery come together to solve a series of killings by a resurfaced – or new? – Blue Rose Killer. The Blue Rose killings and their legacy lived in the corners and shadows of prior novels and so I was full of anticipation in seeing them given their due.

It is a strange experience to read a book, admire the technical skill of its writing, and spend hours upon hours living in its world (The Throat is nearly 700 pages long)... and end up feeling utterly disappointed. And yet I don’t feel like I wasted my time. Straub is a masterful writer. This novel reconfirmed to me that he is the yin to Stephen King’s yang, the coolly intellectual brain to King’s bloodily beating heart. King has kinetic characters who jump off the page just as his narratives can spin messily out of control. Straub has dispassionate, contemplative ciphers as characters who live in stories that, despite being both lengthy and dreamily ambiguous, are still narratives that are carefully mapped out. I don’t think one writer is better than the other; they are both masters. I enjoy Straub's intelligence, his concentration, even his quasi-Jungian flourishes. Although it was ultimately a disappointment, it was a fascinating experience and I don’t regret the many hours spent within its pages.

“Then the nightly miracle took place once again, and I fell down into the throat of my novel.”

SPOILERS FOLLOW. ALSO, a lot of bitching. So if you loved this book, you may just want to skip the rest.

Okay, the minor irritations. First: there is a very sloppy bit of meta-nonsense in the beginning where Peter Straub is a character in the novel; this is done to resolve the problem of Mystery’s island setting - which is incompatible with the story started with Koko and ending with The Throat. That sloppiness casts a shadow on the characters of Underhill and Pasmore, who now confusingly seem to have the same childhoods. Or not, who knows – Straub doesn’t clear things up. Second: the setting of Millhaven is schizophrenically portrayed: at times a small town where everyone knows everyone and you can easily walk from one end to the other in the space of a couple hours, at other times a highly dangerous city of industry (365 murders a year! For real?) modeled on Chicago or Milwaukee or Detroit. Third: by the middle of the book I easily figured out the identities of all three killers: Old Killer, New Killer, Surprise Killer. It was obvious to me and I am no Tom Pasmore: the Bad Man, the Good Man, and the Catalyst (for the story itself) are all too-clearly telegraphed as the killers on numerous occasions. Fourth: Lt. Bachelor is compelling but is also a second-rate Colonel Kurtz, living in his Vietnam era heart of darkness. Fifth: the use of race riots as a backdrop in a novel that itself doesn’t engage with race or racial tensions felt disrespectful and cheap.

I could actually have looked past all of those things and still given this novel a somewhat qualified thumbs up. But the laziness in dealing with central character John Ransom just drove me up the wall. This is a character who is the catalyst for the entire novel. He is given an intriguing introduction that sets him up to be fascinatingly multidimensional; his flashback appearances in Vietnam are likewise interesting. But that is not the character we spend the most time with – instead we get a John Ransom who is a petty, whiny, greedy dipshit who exists to bitch, moan, roll his eyes, and make a series of foolish mistakes. He becomes a tedious drag to the story whenever he appears. John Ransom needed to be an ambiguous creation, evasive and mysterious yet real enough to come alive on the page – practically every other page, because he’s that much of a lynchpin to The Throat’s narrative. He needed to be resonant; instead he is flat, flat, flat. Fie, Straub, fie! The heart of darkness is not a petulant douchebag.

Particularize Books Toward The Throat (Blue Rose Trilogy #3)

Original Title:	The Throat
ISBN:	0451179188 (ISBN13: 9780451179180)
Edition Language:	English
Series:	Blue Rose Trilogy #3
Literary Awards:	Bram Stoker Award for Best Novel (1993), World Fantasy Award Nominee for Best Novel (1994)

Rating About Books The Throat (Blue Rose Trilogy #3)

Ratings: 3.94 From 3491 Users | 111 Reviews

Piece About Books The Throat (Blue Rose Trilogy #3)

The descriptions of Vietnam and what happened during the war were very rich and interesting. Then the book got into the murder/mystery and ceased to be entertaining (at least, for me) and I pushed through as best I could just to finish it. I look forward to reading more Straub, but I won't be keeping this book.

This culmination of the Blue Rose Trilogy deftly mixes mystery and horror genre with literary metafiction. A bit overlong, but overall quite excellent.



Fantastic. Straub at his best.

Mystery is my favourite of the Blue Rose novels*, because it was the first I read, and because it has an innocence -a romance- that the others do not. But this is the best of them, contradiction be damned. A nearly perfect book. * Which should be on every fan of crime fiction's bookshelf.

I like Straub in this genre even better than I do when he writes stories of a more supernatural nature. Obviously he's a very talented author, so there's no complaint here. But I like this type of story by him, as he really digs deep into human behavior, the effects of past on present, etc... This story is massive and goes into a lot of detail, telling stories within stories; so someone who doesn't like to get mired down in tangents and side notes might not be too thrilled. I personally like it,

Well, Ive done it. Ive completed Peter Straubs epic work, the centerpiece of his career, his Blue Rose trilogy. In true Straubian fashion, these books are challenging and dense and unsettling I am sure a lot of the subtext went right over my head. Will I reread this trilogy? You betcha ass.The Throat is oft considered the best of the trilogy, and while it does wrap the cycle up perfectly I think I do prefer the setting and plot of Mystery. But dont get me wrong: its close! Ive given all these